Archive table

Sumter, South Carolina, urban, boy at top of hill looking down to city

1964

 

 

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

vf_leindsalzg

Sumter, South Carolina, wooden house, long-shot

1964

 

 

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

vf_tpnzotmjfw

Sumter, South Carolina, wooden house, wide-shot, children, CITY LIMT sign

1964

 

 

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

vf_dqhmemkdle

Sumter, South Carolina, wooden house, wide-shot, CITY LIMT sign

1964

 

 

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

vf_ilumkuecdx

Sumter, South Carolina, wooden house, wide-shot, washing on the line

1964

 

 

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Susumu

1989

 

 

A documentary on jazz pianist Sumi Tonooka’s poem “Out From The Silence” about the effects on the people of Japanese descent interned after the bombing of Pearl Harbor.

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Sutton Manor hotel, abandoned, exterior shot

1980s

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

vf_ldmgwanbol

Sutton Manor hotel, abandoned, exterior shot

1980s

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_pvjrnpnkda

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_cdfvuezzmo

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_ngrqageqnv

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_umbledhbio

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_vnuwlngacq

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_hguvcjhdub

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_nvvqreojdf

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_wwgegsvqqe

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_dtxgisswov

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_ayecsvklqt

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_vpgluifiid

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_pxltraymyo

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_nmgktrovja

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_kximehmxra

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_ioqrcgzkwx

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_dodwacecqm

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_sxqdgdcfyl

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_mooludiana

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_cllkffavjy

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_rfnstrilao

Symbol of Sacrifice, Production still, Anglo-Zulu war

1918

 

 

Symbol of Sacrifice is a 1918 film dramatisation of the 1879 Anglo-Zulu War. It follows English soldier Preston Fanshall from the British defeat at the Battle of Isandlwana to Rorke’s Drift where he participates in the defence of that post.

vf_tzvqgwzvam

Taking Back The Waves

2005

 

 

Surfing and apartheid past and present told through the experience of a black surfer.

vf_atjidevepo

Taking Haart

2000s

 

 

The struggle for access to AIDS treatment in South Africa.

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Tanzania, Dar es Salaam, cityscape, high view

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_tzefeihijp

Tanzania, Dar es Salaam, landscape, boat on beach

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_obwzyqzigl

Tanzania, Dar es Salaam, landscape, dwelling, orange

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_dlupkralqe

Tanzania, Dar es Salaam, landscape, harbour, wide-shot

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_hxxscimvtu

Tanzania, Dar es Salaam, landscape, modernist building, central

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_iybhwlwkja

Tanzania, Dar es Salaam, landscape, modernist building, street scene

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_blapmtwncs

Tanzania, Dar es Salaam, landscape, sea shell vendor

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_vupybkrgip

Tanzania, Dar es Salaam, landscape, tin roof amd street scenes

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_ukvyygeiat

Tanzania, Dar es Salaam, landscape, wide shot, apartments and sea view

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_leoxjhqudl

Tanzania, Dar es Salaam, portrait, young man

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_exzubguxey

Tanzania, PAC, Pan Africanist Congress camp, Elias Ntlodibe

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_rsvmawfsfk

Tanzania, PAC, Pan Africanist Congress camp, Elias Ntlodibe, portrait

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_wxunayctfr

Tanzania, PAC, Pan Africanist Congress camp, men in lecture

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_svhlttdyfx

Tanzania, PAC, Pan Africanist Congress camp, men in lecture, sunset

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_zhzxqxjmai

Tanzania, PAC, Pan Africanist Congress camp, men reading pamphlets

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_sjgynhazpp

Tanzania, PAC, Pan Africanist Congress camp, men, portarit

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_acloocysdn

Tanzania, PAC, Pan Africanist Congress camp, mountains

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_rtyymezccy

Tanzania, PAC, Pan Africanist Congress camp, standing and talking

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_liivnkfisb

Tanzania, PAC, Pan Africanist Congress camp, sunset

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_oaxmqjjbeu

Tanzania, PAC, Pan Africanist Congress camp, trees

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_hgbpsyxwbi

Tanzania, PAC, Pan Africanist Congress camp, trees and buildings

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_tvozbkhhxj

Tanzania, PAC, Pan Africanist Congress camp, wide-shot

1978

 

 

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

vf_lutsamkgal

Taos, New Mexico, American Painter Dorothy Brett, in Western clothes, portrait

1960s

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

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Taos, New Mexico, D.H. Lawrence Farm house, landscape

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_hryaitelzl

Taos, New Mexico, D.H. Lawrence Farm house, landscape

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_hryaitelzl

Taos, New Mexico, D.H. Lawrence Farm house, landscape

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_hryaitelzl

Taos, New Mexico, D.H. Lawrence friend, portrait of Joe

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_lwonnucrlw

Taos, New Mexico, D.H. Lawrence friend, portrait of Joe 2

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_itdyazfoyg

Taos, New Mexico, D.H. Lawrence friend, portrait of Joe 3

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_kufngomrwf

Taos, New Mexico, D.H. Lawrence friend, portrait of Joe 4

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_kkjhoxhnve

Taos, New Mexico, D.H. Lawrence friend, portrait of Joe 5

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_dfniuxlsao

Taos, New Mexico, D.H. Lawrence friend, portrait of Joe 6

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_gjbdgyrqen

Taos, New Mexico, Mabel Luhan’s home, Dovecote

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_uqytnirlbc

Taos, New Mexico, Mabel Luhan’s home, Dovecote

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_uqytnirlbc

Taos, New Mexico, Mabel Luhan’s home, Dovecote

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_uqytnirlbc

Taos, New Mexico, portrait, Max Evans, shadows

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_inmxhsmnjp

Taos, New Mexico, portrait, tractor, Max Evans

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

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Taos, New Mexico, ranch interior

1920s

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

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Taos, New Mexico, ranch, Frieda Lawrence tombstone

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_cemugrcoed

Taos, New Mexico, ranch, window ornaments

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_rninyynjwz

Taos, New Mexico, Rancho de Taos, Postcard, church

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_jebmwxytac

Taos, New Mexico, Rancho de Taos, Postcard, church

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_jebmwxytac

Taos, New Mexico, Rancho de Taos, Postcard, church

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_jebmwxytac

Taos, New Mexico, Taos elder playing drum

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_slkflsvnyh

Taos, New Mexico, women on horseback, mountains

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_hfaesoitzo

Taos, New Mexico, women on horseback, mountains

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_hfaesoitzo

Taos, New Mexico, women on horseback, mountains

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_hfaesoitzo

Taos, New Mexico,woman on horseback, mountains

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_szhsktkvlt

Taos, New Mexico,woman on horseback, mountains

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_szhsktkvlt

Taos, New Mexico,woman on horseback, mountains

1969

 

 

Images taken (and acquired) during the production of a documentary about D.H. Lawrence and his time settled in Taos, New Mexico where he lived on a mountain ranch.

vf_szhsktkvlt

TEST

2023

 

 

Test

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TEST

2023

 

 

Test

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TEST

2023

 

 

Test

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TEST

2023

 

 

Test

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TEST

2023

 

 

Test

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Thami Mazwai, portrait

1989

 

 

Boston, USA. Anti-apartheid activist.

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Thami Mazwai, portrait

1989

 

 

Boston, USA. Anti-apartheid activist.

vf_oiqpqnflsi

Thami Mazwai, portrait

1989

 

 

Boston, USA. Anti-apartheid activist.

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Thato

2011

 

 

Story of a young HIV woman who is pregnant.

vf_ityxrfbbpc

The 13th Guest

1970

 

 

A group of middle-class Americans gather for dinner, and discuss and dispute the tortured state of America in 1970, during the Vietnam War. Cinematographer Robert Elfstrom’s take on a divided nation.

vf_worpxitkvz

The 4th International Environmental Film Festival - Bodrum - Poster

2000

 

 

The 4th International Environmental Film Festival - Bodrum - Poster.

vf_zizzyocfwj

The African Inkspots, I’m Jealous of You, production still

1948

 

 

The African Inkspots, I’m Jealous of You, production still

vf_crjzvhfyfe

The Anatomy Of Apartheid

1965

 

 

‘The Anatomy Of Apartheid’ aimed at generating positive propaganda for the apartheid government and defending its policy of separate development. An introduction to the ‘3 phases’ of the apartheid system in South Africa, culminating in the Bantu Self-Government Act.

vf_tvkdoglilw

The ANC: A Time For Candour

1980s

 

 

A critical look at the philosophy, leaders, and activities of the African National Congress making the case that the ANC encourages violence, is a “peddler of the Soviet slant” and a communist organization. Examines links between the ANC and the United Democratic Front (UNF).

vf_wrjhizcvbm

The Battle For Johannesburg

2010

 

 

The severe social struggle during the lead-up to the football World Cup of 2010 (two versions, 50 and 72 mins).

vf_asbhkylzxq

The Battle For Johannesburg - DVD Sleeve

2010

 

 

DVD Sleeve for The Battle For Johannesburg. The severe social struggle during the lead-up to the football World Cup of 2010 (two versions, 50 and 72 mins).

vf_djcippqjlp

The Chopi Series: A Spirit Here Today - A Scrapbook of Chopi Village Music

1994/2021

 

 

This lively and haunting film is a bittersweet memoir of Chopi life before civil war and drought took their devastating toll.

vf_sfzqodgnah

The Chopi Series: Mgodo Wa Mbanguzi

1974

 

 

This film is a unique, real-time, two-camera documentation of entire Mgodo performances, filmed in the villages of Mbanguzi and Mkandeni, Mozambique, 1974..

vf_ozwmquaken

The Chopi Series: Mgodo Wa Mkandeni

1974

 

 

This film is a unique, real-time, two-camera documentation of entire Mgodo performances, filmed in the villages of Mbanguzi and Mkandeni, Mozambique, 1973.

vf_gmenzjutcp

The Chopi Series: Song of Sadness (Ndando Yawusiwana)

1980

 

 

A personal lament from Chopi composer Venancio Mbande about the murder of his sister.

vf_udeebmirsm

The Chopi Series: The Chopi Timbila Dance

1980

 

 

This film is a fascinating, insightful look at the structure, instruments and rhythms of Chopi xylophone orchestral music and dance.

vf_xomrwsmfsx

The Condemned Are Happy

1958

 

Y

By director Jamie Uys (who later would make THE GODS MUST BE CRAZY) this is the apartheid government’s whitewashed presentation of African forced removals.

vf_spcogvzjnl

The Cry Of Reason - Beyers Naude: An Afrikaner Speaks Out

1988

 

 

Life and work of anti-apartheid minister Beyers Naudé. South Africa featuring footage from Alexandra Townships edited with interviews.

vf_axyybzjaof

The Dixie Mission

1970s

 

 

What happened to the Foreign Service officers who appear in Mission To Yenan, and who reported favourably on co-operation with the Chinese Communists in the war against Japan, and how they were blacklisted.

vf_zvodochaln

The Dixie Mission - Script

1970s

 

 

What happened to the Foreign Service officers who appear in MISSION TO YENAN, and who reported favourably on co-operation with the Chinese Communists in the war against Japan, and how they were blacklisted.

vf_fsuwypobow

The Fox Has Four Eyes

1959

 

Y

Witchcraft and the South African penal system, by director Jamie Uys. Imcomplete.

vf_hekdnzvykr

The Gospel Road - June Carter Cash - Poster

1973

 

 

Johnny Cash brings to the screen the story of Jesus of Nazareth…filmed in the Holy Land where it happened.

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The Gospel Road - Poster

1973

 

 

Johnny Cash brings to the screen the story of Jesus of Nazareth…filmed in the Holy Land where it happened.

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The Gospel Road - Robert Elfstrom as Jesus - Poster

1973

 

 

Johnny Cash brings to the screen the story of Jesus of Nazareth…filmed in the Holy Land where it happened.

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The Gospel Road - Robert Elfstrom as Jesus, crucifix - Poster

1973

 

 

Johnny Cash brings to the screen the story of Jesus of Nazareth…filmed in the Holy Land where it happened.

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The Gospel Road - Robert Elfstrom as Jesus, Saul Holiff - Poster

1973

 

 

Johnny Cash brings to the screen the story of Jesus of Nazareth…filmed in the Holy Land where it happened.

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The Gospel Road - Soundtrack - Poster

1973

 

 

Johnny Cash brings to the screen the story of Jesus of Nazareth…filmed in the Holy Land where it happened.

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The Gospel Road - Soundtrack - Poster

1973

 

 

Johnny Cash brings to the screen the story of Jesus of Nazareth…filmed in the Holy Land where it happened.

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The Gospel Road, production stills, Jesus on cross

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Jesus on cross, centurions

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash in water, baptism

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash on rock face, with Bible

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash standing, in black, portrait

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash with Robert Elfstrom, off-set

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, cast member

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, crew coming down aeroplane steps

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, crew coming down aeroplane steps, Cash holding child

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, crew, Jesus in background

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, crucifix, crowd watch on

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, in the river with Cash, baptism, June Carter

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Jerusalem street, polaroid

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, portrait

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom and woman smiling

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom camera, Cash

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus backlit, camera

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus in crowd

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus in gown

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus in gown

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus on pedestal

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus on pedestal looking down

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus, on crucifix, black and white

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus, polaroid

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus, preaching

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus, raised on crucifix

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus, Saul Holiff

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, June Carter Cash

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, June Carter Cash, other woman

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, off-set

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, polaroid, crew shot

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Robert Elfstrom director, actor as Jesus, crown of thorns

1973

 

 

Exclusive images from the production of The Gospel Road.

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The Gospel Road, production stills, Robert Elfstrom, Jesus, children

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Robert Elfstrom, Jesus, in boat

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Robert Elfstrom, Jesus, in boat, long-shot

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Robert Elfstrom, Jesus, on shore, crew

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Robert Elfstrom, Jesus, preaching, black and white

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Robert Elfstrom, Jesus, preaching, black and white, behind tree

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Robert Elfstrom, Jesus, preaching, children

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Robert Elfstrom, keffiyeh

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Robert Elfstrom, keffiyeh, portrait

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Robert Elfstrom, off-set

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Gospel Road, production stills, Robert Elfstrom, portrait

1973

 

 

Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.

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The Guguletu Seven

2001

 

 

Powerful story of a police murder conspiracy during the apartheid era, with scenes from the Truth & Reconciliation Commission. Cape Town.

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The Guguletu Seven - DVD Sleeve

2001

 

 

Powerful story of a police murder conspiracy during the apartheid era, with scenes from the Truth & Reconciliation Commission. Lindy Wilson.

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The Gun Runner, Production still, silent film, Hendrick Andries, Katje du Toit, Rodriguez de Zazos

1916

 

 

Production images, promotional materials, and behind the scenes stills from a series of South African and American films.

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The Gun Runner, Production still, silent film, Hendrick Andries, Katje du Toit, Rodriguez de Zazos

1916

 

 

Production images, promotional materials, and behind the scenes stills from a series of South African and American films.

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The Gun Runner, Production still, silent film, Hendrick Andries, Katje du Toit, Rodriguez de Zazos

1916

 

 

Production images, promotional materials, and behind the scenes stills from a series of South African and American films.

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The Gun Runner, Production still, silent film, Hendrick Andries, Katje du Toit, Rodriguez de Zazos

1916

 

 

Production images, promotional materials, and behind the scenes stills from a series of South African and American films.

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The Harmony Country Club, buffet table

1950s

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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The Legacy Of Jon Gates

1993

 

 

Documentary on the Canadian AIDS activist, Jon Gates who was committed to raising awareness of the AIDS-crisis in sub-Saharan Africa.

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The Legacy Of Jon Gates - Hada Gwaii Screening

1995

 

 

United Church Annex poster. January 13th.

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The Legacy Of Jon Gates - Poster - Black and White Version

1993

 

 

Poster/promotional.

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The Legacy Of Jon Gates - Poster - World Premiere

1993

 

 

Tuesday December 13th. World Premiere at Pacific Cinematheque, Vancouver.

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The Legacy Of Jon Gates - Review

1990s

 

 

Unknown source.

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The Legacy Of Jon Gates - Review - Current Magazine

1995

 

 

Feature biography by Ken Anderlini.

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The Legacy Of Jon Gates - Review - Reel West

1993

 

 

Western Canada’s Film, Video & Television Industry. October/November.

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The Legacy Of Jon Gates - Review - SPARC News

1994

 

 

Winter. AIDS Documentaries Inspire Action. Community Affairs in British Columbia.

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The Legacy Of Jon Gates - Review - The Georgia Straight

1996

 

 

An Inspirational Legacy Delivers Activist Message - By Daniel Gawthrop.

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The Legacy Of Jon Gates - Review - The Reverse Shot

1995

 

 

Review by Anthea Lee. Spring 1995.

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The Legacy Of Jon Gates - Review - Vancouver Courier

1994

 

 

Sunday December 11th. By Fiona Hughes.

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The Legacy Of Jon Gates - Review - Vancouver Sun

1995

 

 

Malcolm Parry. Thursday December 15.

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The Legacy Of Jon Gates - Review - Vancouver Sun

1995

 

 

By Alex Strachan. Thursday 15 June.

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The Legacy Of Jon Gates - Script

1972

 

 

Documentary on the Canadaian AIDS activitst, Jon Gates.

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The Legacy of Jon Gates - VHS Sleeve

1972

 

 

Documentary on the Canadaian AIDS activist, Jon Gates.

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The Legacy Of Jon Gates - VHS Sleeve

1993

 

 

The Legacy Of Jon Gates - VHS Sleeve. A Call To Sacrifice.

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The List

2010

 

 

Indie comedy about Lesego Thambo, a Johannesburg over-achieving, cheese-boy (Tsotsi slang for lower middle class person who has achieved upward mobility).

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The Long Tears

1998

 

 

The story of Ndebele art, culture and traditions told through the experience of one family.

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The Lost Boys

2003

 

 

The story of a group of young men born during the agonies of the apartheid era in a fractured society that led them to violent crime. Now, through group therapy, they are trying to turn their lives around.

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The Magic Room — Atari Computer Camp movie

1982

 

 

Documentary about Atari and computer education summer camps made by Bob Elfstrom.

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The Making Of Raja Edepus

2008

 

 

Making of The Oedipus story recast in Balinese style, with gamelan accompaniment, and a documentary about the making of the Balinese version.

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The Making Of Raja Edepus

2008

 

 

Making of The Oedipus story recast in Balinese style, with gamelan accompaniment, and a documentary about the making of the Balinese version.

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The Mattachine Society

1960s

 

Y

Interview in New York with a member of The Mattachine Society, founded in 1950, was an early national gay rights organization in the United States, perhaps preceded only by Chicago’s Society for Human Rights.

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The Mbira Series: Matepe Dza Mhondoro - A Healing Party

1978

 

 

This film looks at the music and activities of a spirit medium healing ceremony, detailing some of the Matepe song structures and rhythms.

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The Mbira Series: Mbira Dza Vadzimu - Dambatsoko, an Old Cult Centre

1979/2021

 

 

Possession, mediums in black, blood sacrifices, ritual beer and snuff - the elements of Shona religious ritual as depicted in this evocative film.

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The Mbira Series: Mbira Dza Vadzimu - Religion at the Family Level

1978/2021

 

 

In this remarkable portrait, we look into the life of Shona mbira player Gwanzura Gwenzi working in the city for a large western corporation. At his rural homestead, he is the family head who hosts all-night spirit ceremonies, called bira.

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The Mbira Series: Mbira Dza Vadzimu - Urban And Rural Ceremonies

1978/2021

 

 

A compelling portrait of a Shona musician Hakurotwi Mude who lives in both the traditional and modern worlds. A deeply spiritual man and one of the most famous Shona singers.

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The Mbira Series: Njari - Karanga Songs in Christian Ceremonies

1977

 

 

This film is an impressionistic portrait of njari player Simon Mashoko, who has adapted mbira music for use in Christian ceremonies.

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The Mbira Series: The Technique of the Mbira Dza Vadzimu

1976

 

 

This film is a fascinating, detailed analysis of Mbira dza Vadzimu playing techniques, featuring famed Mbira player Ephat Mujuru, narrated by African music specialist, Dr. Andrew Tracey.

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The Nature Of David Suzuki

1998

 

 

David Suzuki – award-winning geneticist, television host, best-selling author, celebrated lecturer and environmentalist – has one of the most famous faces in Canada. The film captures a variety of important and relevant issues.

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The Nature Of David Suzuki - Award

1999

 

 

The Nature Of David Suzuki - Award presented at the 47th Annual Columbus International Film & Video Festival.

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The Nature Of David Suzuki - Script

1998

 

 

Dealing with science, the environment, race relations, Canadian history, and the media, The Nature of David Suzuki encompasses a variety of important and relevant issues. David Suzuki – award-winning geneticist, television host, best-selling author, celebrated lecturer and environmentalist – has one of the most famous faces in Canada.

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The Paperback Vigilante

1974

 

 

Biography of E. Howard Hunt, CIA spy, paperback author, and Watergate conspirator.

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The Paperback Vigilante, Howard Hunt, Watergate, Congress hearings

1974

 

 

Stills taken surrounding the documentary biography of E. Howard Hunt, CIA spy, paperback author, and Watergate conspirator.

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The Paperback Vigilante, Howard Hunt, Watergate, Congress hearings, looking sideway

1974

 

 

Stills taken surrounding the documentary biography of E. Howard Hunt, CIA spy, paperback author, and Watergate conspirator.

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The Paperback Vigilante, Howard Hunt, Watergate, Congress hearings, looking stern

1974

 

 

Stills taken surrounding the documentary biography of E. Howard Hunt, CIA spy, paperback author, and Watergate conspirator.

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